This painting formed part of Donna’s exhibition entitled “On the Road Again”, which was held in 2015 at The Studio Kalk Bay. The underlying theme being movement, change, something new. This piece shows a side on view of a road connecting two valleys, a moody sky and the towering ridge where the rock has been cut away for the road, give one a feeling of the solidness and history of these old mountain passes in the Tulbach area.
#729 Beyond Tulbach
ORIGINAL OIL ON CANVAS: 200cm x 45cm
Sold. Private Collection
PRINTS ON PAPER; Edition sizes
40cm x 9cm
80cm x 18cm
PRINTS ON CANVAS; Edition sizes
100cm x 22,5cm
About Tulbach
Tulbagh, named after Dutch Cape Colony Governor Ryk Tulbagh, is a town located in the “Land van Waveren” mountain basin (also known as the Tulbagh basin),[3] in the Winelands of the Western Cape, South Africa. The basin is fringed on three sides by mountains, and is drained by the Klein Berg river and its tributaries. The nearest towns are Ons Rust and Gouda beyond the Nuwekloof Pass, Wolseley some 15 kilometres (9.3 mi) to the south inside the basin, and Ceres and Prince Alfred Hamlet beyond Michell’s Pass in the Warm Bokkeveld.
History[edit]
The basin has been inhabited for thousands of years by indigenous Bushmen and Khoi peoples. It was about 300 years ago when, after a land grant by the Dutch Colonial Government to a more or less equal number of Dutch and Huguenot settlers to settle the area, that the town of Tulbagh was founded. The region was named “Land van Waveren” in 1699 by Willem Adriaan van der Stel in honour of the Oetgens van Waveren family, from which his mother was descended. Before this date, but also subsequent to it, the region had also been known as Roodezand (“red sand”). The region corresponds to the present Tulbagh district, named after Governor Ryk Tulbagh. The town developed slowly and over time and in the period many notable examples of Cape Dutch architecture, Victorian and Edwardian houses and other buildings such as the Oude Kerk (1743) and the Oude Drosdy (the original colonial Magistrate’s complex) were built.
Boland Earthquake 1969[edit]
In September 1969 the Boland area was hit by an earthquake that caused considerable damage to the town of Tulbagh. Many of the Church Street buildings were destroyed. The extent of the damage was aptly described by the Journal Bulletin of the Simon van der Stel Foundation in 1973: “A street that somehow captured the essential spirit of a unique culture looked as if it was in the throes of a nightmare: many fine gables had either tumbled or were totally destroyed, whole sections of many houses had collapsed, most of the soft brick walls had burst open in wide cracks, plaster had been torn by off in large sheets, rafters and roofs had caved in. Everything appeared to be in total and irreparable ruin.”[4]
After the disaster in Church Street extensive projects of restoration began with the National Committee for the Restoration of Historic Buildings in Tulbagh and its Environment.[5] Because of this work Tulbagh now contains possibly the largest number of Cape-Dutch, Edwardian and Victorian provincial heritage sites in one street in South Africa, and remains a major tourist attraction of the town to the present day. The work started by the committee has been continued to the present day by various residents of Tulbagh, but also significantly by the Tulbagh Valley Heritage Foundation which aims to restore and maintain “all structures older than 60 years, the cultural landscape and undeveloped properties connected to the historical structures above”.[6]
About Prints on Canvas
Many of Donna’s artworks are offered as fine art digital prints, which have been skilfully photographed and printed on large format inkjet printers. These prints are limited edition and numbered bottom left and signed bottom right. They are printed on the highest quality canvasses. The printing process has employed fade resistant, HP Vivera archival inks, which boast a 100+ year fade-proof promise.
These artist prints are offered in varying sizes. Also the prints on canvas can be provided stretched over a wooden frame or rolled in a core for easy shipping. Lastly, each canvas print is treated with a high quality scratch resistant matt art sealant.